Veer-Zaara (Hindi pronunciation: [ʋiːr zaːɾa]) is a 2004 Indian Hindi-language romantic drama film directed by Yash Chopra, who co-produced it with his son Aditya Chopra. It stars Shah Rukh Khan and Preity Zinta as the eponymous star-crossed lovers: Veer Pratap Singh (Khan) is an Indian Air Force officer, and Zaara Hayaat Khan (Zinta) is the daughter of a Pakistani politician. Veer is imprisoned on false charges, and a young Pakistani lawyer, named Saamiya Siddiqui (Rani Mukerji), fights his case. Amitabh Bachchan, Hema Malini, Divya Dutta, Manoj Bajpayee, Boman Irani, Anupam Kher and Kirron Kher play supporting roles.
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In 2004, the Government of Pakistan decides to review unsolved cases pertaining to Indian prisoners as a goodwill gesture. Saamiya Siddiqui, a budding Pakistani lawyer, is given prisoner 786's defense as her first case. The prisoner has not spoken to anyone for 22 years. After addressing him by his name, Veer Pratap Singh, Veer opens up to Saamiya and narrates his story.
In October 2004, Rediff.com published an exclusive "On The Sets" report for Veer-Zaara. The website reported that the cast members wore expensive costumes, one being Zinta, who wore a flurocent green lungi outfit; Khan was late for the shot.[25] Parts of the film were shot in various locations in Mumbai.[25] In 2004, the National Geographic reported that a folk festival sequence was being shot in Film City, Mumbai. An set that represented Punjab was created and Sikh dancers were brought in, whom, according to the report, look like peacocks due to their colorful turbans.[6] All scenes which featured Khan in a prison were shot in a single day,[17] at a jail in Pakistan.[26] The court scenes were shot in a Pakistani law court.[26]
Bharat and Kumar feel that Veer-Zaara and Main Hoon Na (2004), also starring Khan, accepts Pakistan's status as a separate entity from India.[32] Rajinder Dudrah, senior lecturer at the University of Manchester, contrasts Veer-Zaara with Main Hoon Na, writing that while the former "explores the pleasures and trials of border crossing", the latter "extols the virtues of overcoming the border through diplomacy and personal actions."[36] He notes that they show different depictions of borders that the protagonists need to overcome.[36] He feels that the central aestic pleasures of the films, especially Veer-Zaara, is the emphasis on border crossing as a "potentially radical act".[36] Bharat and Kumar also compare Henna (1991) with Veer-Zaara; they say that the "urbane, educated, professional characters" of Veer-Zaara replace Henna's village people referring to "religion straight from the heart" and "responding to [Pakistan] in an unencumbered manner."[32] Henna's brother died in helping Chander across the border; this is contrasted with Saamiya helping Veer in court.[32] Dudrah notes that the ease with which the protagonists move across borders without going through legal procedurings could be a source of criticism.[36]
Veer-Zaara was released on 12 November 2004 and promoted with the tagline, "A Love Legend".[30][54] A special screening was conducted in Punjab, Pakistan for Pakistani audiences.[55] Apart from that, it was screened at the Berlin Film Festival, where it received high critical acclaim.[56] On 26 April 2006, Veer-Zaara had its French premiere at The Grand Rex, the biggest theatre in Paris. It is the first Hindi film to premiere in such a large and luxe venue.[57] It was released in 60 prints in the United Kingdom, and in the United States in 88 prints.[58][59] In 2017, Veer-Zaara was restrained at the Best of Bollywood series in the United States.[60] 2ff7e9595c
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